Nyc gets tough on tobacco, raises purchase age to 21 — cnn.com

New York (CNN) New York City Mayor Michael Bloomberg signed legislation Tuesday raising the tobacco purchasing age from 18 to 21. The law takes effect in six months.

In addition to the «Tobacco 21» bill, which also covers electronic cigarettes, Bloomberg signed a second bill, dubbed Sensible Tobacco Enforcement, which prohibits discounts on tobacco products and increases enforcement on vendors who attempt to evade taxes. New York State’s Department of Health estimates that cigarette excise tax evasion deprived the state of $500 million in 2009.

«By increasing the smoking age to 21, we will help prevent another generation from the ill health and shorter life expectancy that comes with smoking,» Bloomberg said in a written statement when the legislation was approved by the city council in October.

New York City becomes the largest city to have an age limit as high as 21. Needham, Massachusetts, raised the sale age to 21 in 2005, according to the New York City Department of Health.

Neighboring states and counties have raised the tobacco sale age to 19, including New Jersey in 2005, the Department of Health said.

Raising the sale age «will protect teens and may prevent many people from ever starting to smoke,» Health Commissioner Thomas A. Farley said in a statement released after the vote.

Doctors support raising the smoking age

This is the latest step in the outgoing mayor’s mission for healthier New York City lifestyles.

In September 2012, the Board of Health voted to ban the sale of sugary drinks in containers larger than 16 ounces in restaurants and other venues, a measure Bloomberg spearheaded.

The ban was later tossed out by a New York State Supreme Court judge.

Sugary drinks linked to 180,000 deaths worldwide

Amazon.com: money & cigarettes: music

The early 1980’s were something of a forgotton time for Eric Clapton’s he was about to come back very strongly but,the fact was that Clapton’s soul,blues and boogie woogie mix of pop/rock music just wasn’t really being paid attention to as much anymore now that different post punk and new wave music was being bought to the forefront on the radio. Those genres were definately a breath of fresh air in terms of innovation to an extent but for those who stayed with people like Clapton he actually still had a lot to say. The most interesting thing about this album is that it doesn’t really stray all that much from the style Clapton had been using during his mid to late 70’s solo career. With Ry Cooder and Albert Lee on the board this is very much a laid back styled rhythm & blues affair. The reason I use that term is because blues artists of this era who were working within the then current ideom actually wound up doing not necessarily straight ahead blues but a sound that was something like a modern variation on what Ray Charles and Aretha Franklin did in the 50’s and 60’s. Claptons version of «Everbody Oughta Make A Change»,therefore is top notch rhythm & blues and,for an even more decent reference there is the presense of Booker T & The MG’s Donald «Duck» Dunn actualy ups the ante even more. Many of the songs such as «The Shape You’re In»,»Ain’t Going Down» and «Man Overboard» follow a similar lead none are exactly lowdown blues or smooth blues exactly but have have that rhythic bite and crunch that brings it up to having something of a retro/modern soul flavor to it. «Pretty Girl» brings the same approch to a wonderful romantic ballad that features some wonderful slide guitar playing. «Man In Love»,»Crosscut Saw» and «Slow Down Linda» are very much reminders of the type of music that Clapton worked magic with back in the day with Cream,Blind Faith,Derek & The Dominoes and even to a certain extent The Plastic Ono Band. Since these songs have a strong small group flavor they tend to make one forget the musicians intensely legendary status and just find him and his fellow musicians relaxing and letting the music flow. The album ends on a pretty appropriatly upbeat note with «Crazy Country Hop».One of the best things about this album IS the fact it wasn’t a hit album and would up being forgotton in the huge cannon of Clapton albums extending back to his earliest work with John Mayall and The Yardbirds. The fact he was able to create such an enjoyable album that gets better with each listen says a lot. Read more